My First Coat

 I've never had a grown up coat, one of those smart long ones. And now I have!

It's a nice relaxed fit so that I can wear big jumpers underneath it and, having taken my daughter's advice and gone for a 'petite' size - by which they mean 'short', the sleeves are the right length without having to roll them up.

I'd never have managed to buy it without Rose's help. I'd seen it in my newspaper and it was surprisingly cheap for Marks and Spencer but, as we no longer have a branch here, I couldn't check the colour or fit. Rose went into her Marks in Oxford, tried one on and took photos to send me. She then ordered it for me in the size we decided would fit. Ordering clothes (and especially returning them if they don't fit) is too complicated for my Covid brain so I don't often do it.

I'm really pleased with my new coat and, having worn charity shop jackets for decades, it feels very smart. However, it turns out that it's not actually my first proper coat.

Here I am in 1967 at the age of six with my brother Stephen. Note my alice band - remember those? - and Stephen's traditional plaster on his knee. Those were the days when boys wore shorts up until they were about ten or eleven. The photo was taken in Hamble-Le-Rice (isn't that a great name?) on one of our days out. Here I am wearing my coat again, this time somewhere you probably recognise. I'm glad to see that Stephen's knee is better.

Stonehenge

I seem to have had a bit of a run of buying things for around £70 lately. First there was the coat and then I invested in this wonderful Piano Lamp.

I haven't been able to play the piano for several years because of not being able to read the music. Then it dawned on me that I could ask the optician to prescribe me a pair of fixed vision glasses just for the piano. It took a couple of tries to get the distance right, what with not having a piano to hand in the consulting room, but we got there in the end. The frames are the same as my normal glasses so the piano ones live on the piano (and have an elastic band round one arm too) so that they don't get muddled.

The glasses have meant that I can read the music but I realised that I also needed stronger light, hence the new lamp. It's very bright and also adjustable with a dimmer switch. The picture above was taken in the evening when it was the only light on in the room. The black lamps are intended for modern black pianos but I think it goes well with my old 1920s upright.

Of course, my playing is very rusty so I'm starting with some simple studies by Burgmuller. I never had these as a child learning to play; my violin teacher told me about them. My only experience of studies were the Demnitz ones for Clarinet which weren't exactly exciting. The Burgmuller ones are proper tunes and lovely to play.

My other £70 purchase was this big pile of magazines.

I've been filling in the gaps in my collection of 'New Stitches' magazines for a long time, mostly buying individual copies as and when they come up. I was enquiring from a seller on ebay about combining a couple of small lots when she said that she had lots more to sell. She kindly sorted out all these magazines, 58 in all, to fill in quite a few of my gaps. They arrived in two heavy boxes and will keep me busy for quite a while. Doesn't that cat on the cover in the middle look like Tolly cat?

I particularly like these magazines because they have a range of projects and masterclasses covering lots of different needlecrafts rather than just cross stitch. I think I now have about 80 issues left to find (out of 261). I don't have any of the latest ones though, Issues 213 - 261 and I've never seen them for sale. I expect they'll turn up one day, all together.

Learning Stuff

I really like learning new things. Whether it's from something I've read or a podcast I've listened to, it makes life interesting. Now that my life is so constricted, mastering new crafts or projects in particular gives me a real sense of progress on what are mostly very difficult days.

Recently I've been working on a mixture of crafts, not to turn them into patterns (although I always make notes in case I want to try them again) but just because I feel like it. I've been trying various little ideas using some of my vast collection of scrap fabrics. First I made these.

A dozen new hankies. Why has it taken me so long to realise that I could make my own hankies? My existing stock were wearing thin and it's not easy to find anywhere to buy hankies now, especially when you can't go out. These are 12" squares, double hemmed on the machine. They're a bit thicker than bought ones but they're already softening up after a few washes. I have plans to make some Christmas ones too and then bigger ones from plain fabrics for when I have a cold.

The internet is a great source of inspiration for small sewing projects. I found this little collapsible thread catcher on a blog and then worked out my own version. I used a ring of plastic canvas in place of the cardboard tube and changed the measurements a bit. This means that there's a little hole n the middle when the pot is twisted closed but I liked the fact that it was shorter. I gave this one to my daughter.

It's a clever idea but does involve a fair bit of hand sewing so it's not particularly quick to make.

Next I started looking for origami ideas that could be made from fabric scraps and found several ideas that I liked. I made a little butterfly which is rather nice. Those antennae are cut from a black paper clip, not at all safe but it didn't look very much like a butterfly without them.

It took me a while to get the hang of these folded fabric flowers. I used my Sizzix machine to cut out circles and then folded and gathered them into flower shapes. The centres are another fabric circle gathered round a button. These hide all the raw edges. Again, these were hand sewn but they don't take long.

I blu-tacked them to the side of the shelf for this picture but they soon fell off so now they've got wooden stalks and are standing in one of my pencil pots.

My favourite make though was this little folded fabric ornament. Again, it's just two circles of fabric cut with the Sizzix and sewn together. A bit of folding and pressing and a few hand stitches and you're done. The clever thing is that you can tuck a square of card in the back which gives it a bit of stability. I used this tutorial but started off with smaller circles to make a little ornament. 

Regular readers will know that I am working on improving my tatting skills this year and I'm glad to say that it's paying off. I'm now able to tackle some of the lovely patterns in this book.

There are actually 49 snowflakes as a sample pattern is included at the beginning. I'm working through the easiest ones first and, so far, I've mastered five of them.

I love the fact that the designer includes diagrams and written instructions, together with clear photos of the finished snowflakes so I can work out where I'm going. I tend to get confused in the diagrams when the work is reversed so the written instructions really help. I am working each snowflake three times in size 20, 40 and 60 thread. Repeating the patterns with thinner thread is a challenge but gives me lots of practice so that I can fix the techniques in my head. Here's the first snowflake (the sample pattern) in all three sizes.

I stiffen them with diluted superstarch and then store them on card as you can see. Then each set goes in a little square envelope that I make with the envelope punch board I found in Orinoco. This is a very handy little tool. I've been using six inch squares of Christmas paper to make the envelopes.

In between tatting snowflakes, I've also been making a few of Diane's different Ice Drops. I'd only ever attempted her basic design before but I felt ready to try a few of the others now.

The two little snowflakes with metal flowers in the middle are Diane's pattern too, the first of her Doodad Snowflakes. I don't know if my glass gems are smaller than hers or if I just tat more loosely but I was having trouble getting the tatting to fit. Even after soaking in hot water, the gems would sometimes fall out. so, I plucked up my courage and tried paying with the stitch count to get a version that worked for me and I'm very proud of the result.

I've also been doing a lot of weaving lately. My absolute favourite yarn for weaving is King Cole Bramble DK. It's a variegated yarn with a heathery look to it that really works well when woven and it comes in lots of lovely colourways. At the moment I'm using the shade Thistle to weave lots and lots of four inch squares.

I'm trying to finish five squares a day so that I can get on with the joining as I want to try out a lace join that I haven't used before. I need 81 squares all together and I've got eleven to go so I'm nearly there.

I was weaving with the loom on my lap when it occurred to me that I could use my small book chair to hold it upright. This worked but the loom kept moving around and then inspiration struck - Lego! I had fun playing around with my small collection of Lego bricks and finally came up with a loom holder that holds the loom firmly in place while I weave.

I'm very pleased with this and it does make the weaving quicker. Now I'm wondering what other craft tools I could make with Lego. There's quite a bit of K'Nex in the cellar too ...

After this blanket is finished I want to try joining woven pieces together on the loom, something I've seen before but not really understood. Finally, I found these instructions and light dawned. Not only does it give a perfect join on the right side but I quite look the look on the back of the pieces too.

I have lots of ideas for using this technique but first, I'm going to finish that blanket.

Baskets and Pocket Lace

Have you ever noticed that, as you get older, you find yourself drawn to things that you would have scorned in the days of your heady youth? When these were still around in the 1970s I wouldn't have given them house room.

Bright workbaskets woven with plastic strips on a wooden base. They came in all sorts of shapes and sizes and now I just can't resist adding to my collection whenever I see another one. They tend to be quite pricey online but, luckily, Orinoco often has them for a few pounds.  

I like to make use of my pretty things so the baskets all hold craft supplies of various sorts. Like a closer look?

I've had these two little ones for so long I can't remember where I got them. As you can see, they both have handles (of a sort) and the darker one has a lovely catch shaped like a butterfly. I've just got a few redwork supplies in the tiny one - I forgot to take a photo - and the other one is full of fancy threads.

Isn't that ruched lining great? As you can see, it's missing some of it's braid but is otherwise in good condition. This next one looks fairly plain on the outside ...

... but comes over all flowery on the inside.

Inside are my Natesh Rayon threads, a collection of gloriously shiny colours. These go with this book which I bought many years ago.

It's full of exciting ideas for combining simple stitches with glowing colours to give you all sorts of beautiful geometric designs - all my favourite things. The stitches are all clearly explained and, although there are projects in the book, it's easy to use it to just stitch a little panel, perhaps for a card.

That little unfinished square fell out when I opened the book; I was obviously trying out colours.

Right, let's get on to the two bigger baskets. This green one is quite a simple design. I do like the striped plastic edging on all these baskets by the way.

I've got a collection of felt kits and supplies in this one; I really must get more of these made. The braid inside is in a sorry state but it's still rather nice.

I especially like baskets with a bit of a different shape. Not only does this red one have sloping sides but it has a proper handle too.

The lining is pink and I use it to store my hardanger supplies.

For years I thought hardanger looked very difficult and time-consuming to do but I was drawn to all those geometric designs again. Then I got these booklets and found out it was easy, quick to do and not at all scary (even though, yes, there is cutting of fabric involved).

I'm a big fan of Mary Hickmott so I knew these would be good and I wasn't disappointed. She takes you gradually through the different stitches and techniques involved and many of the projects are small and can be turned into cards. The instructions are clear and well illustrated; I'd thoroughly recommend these.

I got this old hardanger magazine from the free shelf at Orinoco because of that beautiful cloth on the cover. Isn't it lovely? One day maybe.

Meanwhile, here are a few of the hardanger cards I've made. These all use designs from 'Easing Into Hardanger', except the yellow one which was a kit (Orinoco again).

Look again on those shelves though and you can see that a new basket has been added to my flock and it's probably my favourite so far.

I love the bright blue of this one, it's got bulgy sides (haven't we all?) and it even has a plastic tray inside.

I haven't really decided what I'm going to keep in this one but I think it will probably have something to do with tatting.

I've been concentrating on improving my basic tatting skills lately and thoroughly enjoying myself in the process, even if it does keep giving me a headache. Tatting is sometimes called pocket lace because, well ... it fits in your pocket. All you need is a shuttle or two and a ball of thread and off you go. It may look delicate but it's actually very sturdy as it's made up of lots of tiny knots.

The thing about tatting books though is that most of them don't include the modern techniques that so many designers use now. You can find youtube instructions for them but I don't like learning from a video. This meant that I could do the basic rings, chains and joins but was stuck when it came to things like split rings, self closing mock rings and the like. So, I decided to learn all these things slowly with lots of practice.

I've found three things helpful in my search for tatting tutorials. The first is Craftree which is like a clunkier version of ravelry but which specialises in tatting. You can look up patterns and tutorials by technique here and lots of them are free to download. The ones I'm using most are by Jennifer Williams who has many free tutorials and patterns available as pdfs so I can print them out. These are all her designs.

And I was very pleased with this woven snowflake which is made in two pieces and then threaded together. It's from her book Twenty to Make: Tatted Snowflakes.

Not a great photo but the snowflake is nice.

So Jennifer Williams s my second useful thing and the third is my collection of newsletters from the Ring of Tatters. They include lots of patterns, many of which are suitable for beginners and they're a good source for help with different techniques too.

This week I've branched out into trying a pattern from an actual book and by a different designer.

I'm working on the first design from Jon Yussof's book Elegant Tatting Gems. I'm learning so much from this pattern. I've even managed to join in two new threads, something I'd been dreading. Mind you, I'm a bit worried about the end of the pattern when I have to join the last repeat to the first ...

One thing that has made a big difference to my tatting is my new picot comb. Up until now I'd been trying to use the blue picot gauge and I couldn't get on with it at all. With the comb you can make picots of different sizes within one ring or chain just by taking the thread over one or more teeth. 

I can't say that I'm at the stage of putting my tatting in my pocket and working on it anywhere yet. It's more a case of sitting over the table and counting every stitch out loud at the moment. I'll get there though. When I feel more confident I'm going to treat myself to some more thread and shuttles and a new book. I have my eye on Robin Perfetti's Four Dozen Tatted Snowflakes. She also has another one which is equally tempting called Four Dozen Tatted Bookmarks. I think I'm going to need to re-think my tatting thread storage soon though. At the moment I'm using another vintage workbox, this one is embroidered and looks like it might be home made.

There's a removable tray inside (and a little bit more embroidery) but it's getting rather full.

Before I go, I thought you might like to see the latest splash of colour in my garden, my Ceanothus.

It's that time of the year when I'm waiting for my roses to flower too. My 'Kew Gardens' was the first again but, so far, it's only giving me one rose at a time, despite being absolutely covered with buds. I've had a word with it about upping its game so we shall see.

Year Lists

I've always been a great maker of lists - things to do, books to read, all sorts of things. I keep an ideas book which was originally intended to be ideas for knitting or crochet designs but over the years it's relaxed to include everything from quotations to plants for the garden and lots of other things besides.

For the last three or four years I've also kept yearly lists on the computer (or Mabel as she's known to me) to record things I've achieved each year. Now that there are so many things I can't do, it's good to see what I have managed over the previous twelve months. 

My 'miles walked' lists are a bit sad. The year before I got covid, I walked about 700 miles. It's surprising how it adds up; I use a very simple pedometer that goes in my pocket or bag, every time I leave the house so those 700 miles aren't just made up 'proper' walks but also lots of walks to the postbox or in to town. A couple of  years ago I'd managed to walk about 300 miles, all in very short, daily walks but last year my Long Covid was worse and I only did about half that. 

I also keep lists of books that I read, not as a target but just for fun so that I can look back and see what I was reading. Last year, I started listing how many crosswords I'd finished too. I do the daily cryptic crossword from The Guardian (I love being able to print it off) and, in 2023, I finished 109 of them. Given that they publish six a week, I've still got plenty of room for improvement. When he has time, my son also does the crossword and, over Christmas we did really well. Cryptic crosswords are easier to work on with someone else and we finished all but two in about two weeks.

My other big yearly list is the one you might be most interested in though and you'll be glad to hear that this one includes pictures. Every year I list all the things I've made, whatever the craft. Since I started doing this a couple of years ago it's encouraged me to make more stuff which is always good, right? It also gives me a great sense of achievement; I may not be able to do most of the things I could do before getting ill but I can still be creative.

I always start the year by knitting the mini stockings that go on my Christmas presents, filled with little chocolates. It gives me a good sense of getting ahead, even if it's all downhill from then on. These were the stockings I knitted last January.

They were knitted with a three colour slip stitch pattern and solid coloured toes and heels. Working out how to keep the pattern going round the shaping for the instep was very tricky. This year's stockings have a Fair Isle pattern but I decided to make life easier for myself and only use the pattern on the straight leg section.

As you can see, I'm getting on well with the next batch of stockings. One of my plans for this year is to go over all my old mini stocking patterns, re-write some and publish new ones.

So, what else did I knit in 2023? Four and a half pairs of socks (the half was the first of a pair for me, all the rest were for other people), several scarves and two sets of Pippi baby clothes for new babies. They also got a Lazy Vee Blanket and a Paddle Ball each.

A slightly older baby got a knitted Raggy Doll, another pattern that needs a complete re-write.

Knitted toys can be a pain to make, what with all those pieces but the finished results are always pleasing. Last year I knitted two Frog and Toads on tiny needles, at a tight tension - never again. Mind you, they look brilliant.

These are knitted with Shetland Wool which turned out to be ideal for small animals with a lot of shaping. I remembered this when it came to designing my Little Donkeys at the end of the year.

I knitted a fully dressed hedgehog for a friend's birthday in the summer from Louise Crowther's book Knitted Animal Friends which I can thoroughly recommend. I bought the yarn to knit myself the owl from the same book but haven't made it yet. Something to do this year.

I did though finally manage to knit myself a Kipper from the pattern by Alan Dart. The original pattern is for DK weight yarn and comes out too big for my tastes so I used thin 4 ply sock yarn and small needles to make a smaller dog.

The shading between colours is done with an ordinary pencil which I thought was a clever touch. I updated the shapings a bit as I went along but, otherwise, followed the pattern.

The rest of my knitting in 2023 was for published patterns, including two big ones: Summer Cottage and my Christmas Cheer wreath. I have been working on samples for two more Ten Stitch patterns as well, a rectangle and an oval. The rectangle is easy but I wanted to explain how to calculate how long the first strip needs to be for any finished size.

The oval was much more complicated to work out and I needed the help of my mathematician son to write me a formula to explain what I'd knitted. 

The obvious use for a Ten Stitch Oval pattern would be for a rug but it could also be used for placemats or a knitted basket base. Maybe I'll get round to designing this one later this year.

Most of my crochet in 2023 was, again, for published patterns. I've got one shawl waiting for me to write up which uses my Lazy Vee technique which I always enjoy working.

Towards the end of the year, I discovered the technique know as Corner to Corner crochet or C2C and had fun making this scarf for a Christmas present.

Again, this was fun to make and a great way to use self-striping yarn. I used King Cole Riot DK for my scarf. And I nearly forgot this little reindeer, crocheted from an old magazine pattern, again changing the weight of yarn to make it smaller. This one went in my daughter's Christmas stocking.

One more woolly finish from 2023 before I move on to other crafts. In May I finally finished this rainbow Tunisian Crochet blanket, worked in the round, which I started years ago. 

It looks nice now it's done but it was an absolute nightmare to get it to lay flat. I kept having to re-do the edging to hold it in shape and then it took a lot of serious blocking. 

In the first few months of the year I made quite a lot of things with felt, starting off with these two Christmas tree ornaments for my son and daughter.

These are copies of the one I made for my tree more than thirty years ago and which they irreverently refer to as the 'Hitler Santa'. I also made two sets of more traditional decorations. These were from the book Modern Folk Embroidery by Nancy Nicholson which has lots of great patterns.

As you can see, I got a bit carried away when it came to the embroidery. I kept one of each set for myself but then hid them away until Christmas. Only of course when Christmas came I couldn't remember where I'd hidden them. They finally came to light last week at the back of  my sock drawer. 

Using the same book, I also made a pastel coloured felt garland for my daughter - still adding lots of embroidery.

I had fun making some felt flowers too, all of which I gave away as presents. I'd like to make more of these at some point.

The big flowers are from the book Fabric Blooms by Megan Hunt but I worked out the pattern for the little rosebuds myself.

I borrowed a book from the library in the Spring called Stitch 50 Birds by Alison J Reid and used it to make four different bird ornaments as presents.

Some of the patterns have quite a lot of pieces but the instructions are clear. I particularly liked the use of cocktail sticks for legs. There are other books in the series if you fancy making some felt creatures.

I'm a big fan of Mandy Shaw of Dandelion Designs and, when I was well, used to enjoy visiting her stall at craft shows. This means I have quite a few of her patterns stashed away and, last year, I used a couple of them to make more presents. Three little redwork tree decorations (yes, mine was lost with the felt ones) and a little lampshade that goes over a wine glass with a battery tealight inside.

I always start off the year with plans to make all the birthday cards I need to send but people born in the first half of the year tend to fare better than those with later birthdays. I cross stitched six cards last year; this is one of my favourites. It's by the designers Lesley Teare; I love the way she combines cross stitch with blackwork.

I enjoyed working this cone shaped Father Christmas for a Christmas present too; it's cross stitch on plastic aida and came together well.

I did manage to make one card with hardanger embroidery. I must do more of this in 2024; it's quite a new craft for me and I enjoy it. It's quick to do and nowhere near as hard as it looks.

As ever, I made quite a few bags last year. I often make one of my Reversible Tote Bags to put presents in. They don't take long to make and it's fun choosing the fabrics.

I also made two bags using remnants bought at my local scrap store Orinoco. The first one used some pieces of vintage barkcloth fabric and the second is made up of velvet squares from a sample book. I actually kept the velvet one for myself.

I've still got lots of velvet squares left from the sample book so they might appear in this year's list of things made.

What else? I've made some more Dorset Buttons and woven a few bookmarks and I've done a little bit of needlepoint. I enjoyed making this little pincushion kit in April ...

... and I made two little needlepoint boxes with plastic canvas later in the year.

I only made two quilts in 2023, even if one of them was the biggest quilt I've ever made. I'd like to make more this next year. I'm going to start with this aptly named pack of charm squares that I got for Christmas (thank-you Rose).

The craft I've made most progress with over the last year though has been my 3D beading. ThreadABead have so many patterns that I want to make that I decided I needed to do more beading in order to speed up! So ... I finished the third building in the Christmas Village which is a barn for the reindeer ...

... and then I made two (yes, two) more of the Father Christmas Houses, one each for my son and daughter. They have little boxes on the Christmas tree with tiny presents in and these were just the right size.

Working the same pattern twice in a row really helped me concentrate on my technique (or lack of it) and, as well as getting quicker, I think I'm making less mistakes now too. I then decided to make these three Ornaments as Christmas presents which were a bit different as the patterns allow for a lot of creative decisions on the part of the beader. This was a challenge for me; I do enough creative thinking in my designing so I really prefer to be able to just follow a pattern when it comes to other crafts. I have to say though, I was really pleased with the results. One day, I shall make some more of these.

I think  my next 3D beading project will either be an Easter pattern or this little Toadstool House; there are just too many to choose from.

In 2024 I also want to do some more miniature building. Do you remember my little house?

After finishing this more than two years ago, I've been slowly adding furniture. I'd like to finish it this year and perhaps start a new project. Petite Properties are launching a magazine focusing on small scale miniatures this year - that could be just the prompt I need to get building again.

What about you? Does anybody else keep 'things made' lists? What are you hoping to make more of in 2024 - other than time, obviously. We could all do with more time to craft, couldn't we?